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The Mirage Machine by Lord Bechard

The Mirage Machine by Lord Bechard

The Mirage Machine
by Rev Lord CM Bechard

I. The Spark Beneath the Skull

In the temple of bone where the neurons hum,
Where the pulse of eternity softly drums,
There stirs a storm, unseen but bright—
A prism birthed from the absence of light.

A whisper crawls through synaptic seas:
"Suffer not from the world, but from your dreams."
And lo! the fabric of reason tears,
Spilling colors that never were there.

The mind begins its mirrored climb,
Through the fractal folds of thought and time,
Where nightmare, memory, myth, and muse
Collide like gods with no excuse.

II. The Kingdom of What-If

The dream unfurls—electric vines,
A thousand worlds in tangled lines,
Each one born of an anxious spark,
A rumor blooming in the dark.

There—castles built from phantom fears,
Their bricks are made of unseen tears,
Where kings of doubt wear crowns of smoke,
And laughter burns where silence spoke.

The rivers flow with thoughts untrue,
Reflecting skies of borrowed blue,
And every tree bears fruit of dread,
That feeds the ghosts inside your head.

O kingdom vast! O mirror made!
By our own hand, by our own blade,
We forge the iron of despair,
And breathe illusions into air.

III. The Dream Architect

Upon the horizon—a figure stands,
Blueprints drawn in trembling hands,
A weaver of what-might-have-been,
The maker of pain that’s never seen.

He murmurs in pulses, soft, divine:
"I am your fear. You are my spine.
I borrow flesh from your belief,
I am the shadow of your grief."

He bends the cosmos with his art,
Each thought a universe torn apart,
And from imagination’s womb,
He builds the walls that become our tomb.

IV. The Shattering

Then lightning struck the mental veil,
And truth rode through on a solar gale—
A comet voice of clarity spoke:
"The cage you fear is your own smoke."

Galaxies cracked, the dream was torn,
The mirage collapsed where it was born.
The endless suffering, all so grand,
Melted to sand in my open hand.

The serpent of panic hissed and fell,
Dissolved beneath a golden bell,
And silence—pure, unbound, complete—
Kissed the dust beneath my feet.

V. The Awakening Beyond Thought

I rose through the rippling, radiant field,
Where the wounds of imagination healed,
Where every monster’s face revealed
The frightened child it tried to conceal.

Each doubt became a blooming sun,
Each fear—a truth already won,
And the void, no longer black and vast,
Sang: “The future’s fiction, not forecast.”

Through starlit corridors of mind,
I left my old self far behind,
The dreamer woke within the dream,
And drank from time’s kaleidoscope stream.

VI. The Return to Flesh

Back in the skull-cave—breathing, still,
The heart resumed its subtle will,
And all the chaos, all the flame,
Were fragments dancing in my name.

Reality sat, serene and mild,
Like a mother watching her restless child.
And I laughed, I wept, I finally knew—
The worst I feared was never true.

For imagination is both sword and key,
The chain, the fire, the alchemy—
It wounds, it heals, it blinds, it frees,
It’s hell, it’s art, it’s divinity.

VII. The Final Flame

Now, when darkness claims my sight,
I paint the void in liquid light.
No longer slave to phantom pain,
I dance with madness in the rain.

For Seneca’s voice still hums in me:
"Suffer not from reality,
But from the mind’s own masquerade—
A phantom war the heart has made."

So I breathe in peace, exhale the lie,
And wink at the stars in the knowing sky,
For imagination’s not my chain—
It’s just the mirror of my brain.

And when it breaks, I clearly see:
The dream was never over me.

Listen to The Episode

Listen to the Mirage Machine on the Poetic Flows podcast

What A Rose Can Say Poem by Margie Driver

What A Rose Can Say Poem by Margie Driver

A rose can say I love you and want you to be mine,
A rose can say I thank you for being so very kind,
A rose can say congratulations, whatever the occasion may be,
A rose can say I miss you and wish you were here with me,
A rose can say I'm sorry if I've hurt you in any way,
A rose can say get well soon, May God bless you today,
A rose can say I wish you happiness, and the best for you each day.
A rose can say farewel when someone goes away,
A rose can say hello, I'm thinking of you today,
There's just so many wonderful things that a rose can say,
A rose can say goodbye when a love one is laid to rest,
No matter what there is to say, a rose can say it best.

I Do Not Love You Except Because I Love You Poem by Pablo Neruda

I Do Not Love You Except Because I Love You Poem by Pablo Neruda

I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.

I love you only because it's you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.

Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.

In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

Phenomenal Woman Poem by Maya Angelou

Phenomenal Woman Poem by Maya Angelou

Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman

Phenomenally.
Phenomenal woman,
That's me.

Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.

New Year by Bei Dao

New Year by Bei Dao

New Year By Bei Dao
a child carrying flowers walks toward the new year
a conductor tattooing darkness
listens to the shortest pause
hurry a lion into the cage of music
hurry stone to masquerade as a recluse
moving in parallel nights
who's the visitor? when the days all
tip from nests and fly down roads
the book of failure grows boundless and deep
each and every moment's a shortcut
I follow it through the meaning of the East
returning home, closing death's door
Orpheus, Eurydice, Hermes

Orpheus, Eurydice, Hermes

This was the eerie mine of souls.
Like silent silver-ore
they veined its darkness. Between roots
the blood that flows off into humans welled up,
looking dense as porphyry in the dark.
Otherwise, there was no red.

There were cliffs
and unreal forests. Bridges spanning emptiness
and that huge gray blind pool
hanging above its distant floor
like a stormy sky over a landscape.
And between still gentle fields
a pale strip of road unwound.

They came along this road.

In front the slender man in the blue cloak,
mute, impatient, looking straight ahead.
Without chewing, his footsteps ate the road
in big bites; and both his hands hung
heavy and clenched by the pour of his garment
and forgot all about the light lyre,
become like a part of his left hand,
rose tendrils strung in the limbs of an olive.
His mind like two minds.
While his gaze ran ahead, like a dog,
turned, and always came back from the distance
to wait at the next bend–
his hearing stayed close, like a scent.
At times it seemed to reach all the way back
to the movements of the two others
who ought to be following the whole way up.
And sometimes it seemed there was nothing behind him
but the echo of his own steps, the small wind
made by his cloak. And yet
he told himself: they were coming, once;
said it out loud, heard it die away . . .
They were coming. Only they were two
who moved with terrible stillness. Had he been allowed
to turn around just once (wouldn't that look back
mean the disintegration of this whole work,
still to be accomplished) of course he would have seen them,
two dim figures walking silently behind:

the god of journeys and secret tidings,
shining eyes inside the traveler's hood,
the slender wand held out in front of him,
and wings beating in his ankles;
and his left hand held out to: her.

This woman who was loved so much, that from one lyre
more mourning came than from women in mourning;
that a whole world was made from mourning, where
everything was present once again: forest and valley
and road and village, field, river and animal;
and that around this mourning-world, just as
around the other earth, a sun
and a silent star-filled sky wheeled,
a mourning-sky with displaced constellations–:
this woman who was loved so much . . .

But she walked alone, holding the god's hand,
her footsteps hindered by her long graveclothes,
faltering, gentle, and without impatience.
She was inside herself, like a great hope,
and never thought of the man who walked ahead
or the road that climbed back toward life.
She was inside herself. And her being dead
filled her like tremendous depth.
As a fruit is filled with its sweetness and darkness
she was filled with her big death, still so new
that it hadn't been fathomed.

She found herself in a resurrected
virginity; her sex closed
like a young flower at nightfall.
And her hands were so weaned from marriage
that she suffered from the light
god's endlessly still guiding touch
as from too great an intimacy.

She was no longer the blond woman
who sometimes echoed in the poet's songs,
no longer the fragrance, the island of their wide bed,
and no longer the man's to possess.

She was already loosened like long hair
and surrendered like the rain
and issued like massive provisions.
She was already root.

And when all at once the god stopped
her, and with pain in his voice
spoke the words: he has turned around–,
she couldn't grasp this and quietly said: who?

But far off, in front of the bright door
stood someone whose face
had grown unrecognizable. He just stood and watched,
how on this strip of road through the field
the god of secret tidings, with a heartbroken expression,
silently turned to follow the form
already starting back along the same road,
footsteps hindered by long graveclothes,
faltering, gentle, and without impatience.

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