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Dulce et Decorum Est

Dulce et Decorum Est

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"Dulce et Decorum Est" is a poem written by Wilfred Owen during World War I, and published posthumously in 1920. Its Latin title is from a verse written by the Roman poet Horace: Dulce et decorum est pro patria mori. In English, this means "it is sweet and proper to die for one's country"

Dulce et Decorum Est

BWilfred Owen

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
Be not Sad by James Joyce

Be not Sad by James Joyce

Be not sad because all men
Prefer a lying clamour before you:
Sweetheart, be at peace again -- -
Can they dishonour you?

They are sadder than all tears;
Their lives ascend as a continual sigh.
Proudly answer to their tears:
As they deny, deny.

James Joyce

And Ask Ye Why These Sad Tears Stream

And Ask Ye Why These Sad Tears Stream

‘and Ask Ye Why These Sad Tears Stream?’ Poem by Alfred Lord Tennyson

'And ask ye why these sad tears stream?'

‘Te somnia nostra reducunt.’
OVID.

And ask ye why these sad tears stream?
Why these wan eyes are dim with weeping?
I had a dream–a lovely dream,
Of her that in the grave is sleeping.

I saw her as ’twas yesterday,
The bloom upon her cheek still glowing;
And round her play’d a golden ray,
And on her brows were gay flowers blowing.

With angel-hand she swept a lyre,
A garland red with roses bound it;
Its strings were wreath’d with lambent fire
And amaranth was woven round it.

I saw her mid the realms of light,
In everlasting radiance gleaming;
Co-equal with the seraphs bright,
Mid thousand thousand angels beaming.

I strove to reach her, when, behold,
Those fairy forms of bliss Elysian,
And all that rich scene wrapt in gold,
Faded in air–a lovely vision!

And I awoke, but oh! to me
That waking hour was doubly weary;
And yet I could not envy thee,
Although so blest, and I so dreary.

Alfred Lord Tennyson

Clown in the Moon

Clown in the Moon

My tears are like the quiet drift
Of petals from some magic rose;
And all my grief flows from the rift
Of unremembered skies and snows.

I think, that if I touched the earth,
It would crumble;
It is so sad and beautiful,
So tremulously like a dream.

Dylan Thomas

A Sad Child

A Sad Child

A Sad Child by Margaret Atwood

You're sad because you're sad.
It's psychic. It's the age. It's chemical.
Go see a shrink or take a pill,
or hug your sadness like an eyeless doll
you need to sleep.

Well, all children are sad
but some get over it.
Count your blessings. Better than that,
buy a hat. Buy a coat or pet.
Take up dancing to forget.

Forget what?
Your sadness, your shadow,
whatever it was that was done to you
the day of the lawn party
when you came inside flushed with the sun,
your mouth sulky with sugar,
in your new dress with the ribbon
and the ice-cream smear,
and said to yourself in the bathroom,
I am not the favorite child.

My darling, when it comes
right down to it
and the light fails and the fog rolls in
and you're trapped in your overturned body
under a blanket or burning car,

and the red flame is seeping out of you
and igniting the tarmac beside your head
or else the floor, or else the pillow,
none of us is;
or else we all are.

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