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Photograph of You Walking on a Frozen Lake

Photograph of You Walking on a Frozen Lake

Photograph of You Walking on a Frozen Lake

I worry about you walking on ice.
Cities lie in the depths.
Every so often a house will rise to the surface.
The crimes it holds will seep across the lake.

Let’s not dwell on it, you say.
The traveller is surrounded by his moustache.
He stands in snow like a cloud.
His ears twitch silver.
His nostrils steam.
Visitors dig deep into their bags
and pull out their smiles. And
who’s to tell where shame is kept?

There are times when hiding is necessary,
especially in language.
Again and again I lose my way.
You can’t know but again and again
you bring me back with kindness.
You wave as you walk across
the icy blind-field of memory.

Remember the triplets who looked like Stalin
walking in unison between the station and the college?
They carried identical briefcases,
wore identical raincoats buttoned high.
They took lunch at exactly the same time,
sat on separate benches in the park,
ate some of their sandwiches, fed some to birds.
It was only later we learned people who worked nearby
did call them The Stalin Triplets.
They shared a mysterious office
in a small building behind the college.
They spoke to no one except each other
and only when separated from anyone who might listen.
Nobody knew the sound of their voices,
nor the language they spoke.

We cannot know where the edge is
or what is underneath.
I squander time considering that and this –
how it is said that Van Gogh,
when he doubted himself,
to avoid wasting paint
he could barely afford, stuck strands
of different coloured wool to a canvas.
Of course, we are told many things.

And if we want peace and independence
money must arrive from somewhere.
I ask them
What you do want me to write? OK,
Stunning Alpine peaks rise above crystalline blue waters.

There you are then.

And the literary types gather to pat backs
and, over terrine of wild parrot
followed by medallions of roast unicorn
on a blanket of fried termites, quote Marvell:
See how the arched earth does here
Rise in a perfect hemisphere.

Once I met a war criminal in a house with high walls.
A hermitage where people forgot who they were.
There were maps of lands that changed shape.
Later I stood on the balcony of my hotel room
high over the city of strangers. Rain began.
Inside, I sat in the chair and watched it fall.

And way back it was a Saturday and you lay on the floor,
turning over the pages of a road map,
a route plotted in pencil.
You and your boyfriend were planning a bike ride.
I think it’s about two-hundred-and-fifty miles, you said.
You went out and bought
sit-up-and-beg bikes with baskets on the front
for sandwiches and flasks,
and proper old-fashioned bells
and a sensible number of gears.
You put on bicycle clips,
did up your duffle coats against the wind,
took to the road one sunny morning
and never came back.

Some guard stones,
tighten their grip on the past.
We can care for people we don’t see, you know.
The clattering out there,
on the main road out of town.
It’s not a road sweeper, it’s a tank.

I remember you reading Kafka, twisting
a strand of your hair around your middle finger.
I remember you lying against my shoulder as we watched TV.

We threw the ball between us on the beach.
The echoes of our laughter brought avalanches crashing into the water.

Success is not good for us.
I don’t need the approval of company.
Do not remember me.
Everywhere I went, I sat and I watched.
A woman said I had dead eyes and walked away.
I was pleased. Sometimes you need luck.

This volatile earth. We know the stories of mountains, how
some forced themselves out of the earth as molten rock,
some settled in water and were washed together and hardened by tides.
Other pressures, other heat, as the earth spun and twisted, pushed the surface
into new shapes and gradually dried into a red desert.
And coalfields came from the mud of swamps
where trees grew, died and rotted down.
And then ice.
And out of it, somehow, all of us
with our ideas and madnesses and memories.

Burn the bits of old cedar. Let’s keep warm.
What makes us try to think back?
I hear an echo in the sky that might be you saying
We were stopped at the border because our papers were not in order.

Of course they weren’t. They never would have been.
You were too kind to understand.

I have this place now. It is enough.

Wind drums the window
brings rain from the dark mountain.
You cannot come back.

Wars move around, move on, hide.
And then the vague, inarticulate rage rises again.
Whatever we will become moves on and hides for a while
behind a clutter of smiles.

And I look at you again.
A woman walking on ice trapped in a photograph.
Pinned, unable to emerge as yourself.
You are what is captured, what I interpret.
You cannot help me find a truth, cannot move.
Even a shift of an eye or a hand might help.
I don’t ask for a word.
But there is nothing more than the photograph can show,
however much I claim to remember.

What is it they want to bury beneath stones?
I was ill for a long time, says an old man I’ve not seen before,
not even in a mirror.
Come outside, let’s watch the sky.
In a town, five thousand were slaughtered.
They burned it to cinders.
We can still feel the heat a hundred years on.
Even through the frost we know it’s there.

A wanderer found a shelter closed.
Nobody to staff it.
He curled on the floor of a public toilet.
He froze to death.
I don’t know his name.
He was a human being.

Out there in the places we can never see again –
in the truck-stop at the edge of the snow
the old man has been sitting at the counter a thousand years.
He eats his plate of chicken slowly,
watches everyone who comes in.

It was a less complicated time, a friendlier time.
You read Siddhartha curled up in the old armchair.

Now in the town they’re holding a collection for refugees.

Shame crouches in the low stones of the church.

Your boyfriend was very probably shot.
Did they kill you too?
Or did you hide in a room and one terrible night, hang yourself?

Did I hear you singing? I thought I did.
Rainbows multiply across the evening sky.
Please let me sleep through the night.

Raindrops on the shoulders of your thick red coat.

The barn window at dusk unleashes an owl.

This is the place where mists rest,
where deer stroll unseen.

Suddenly an axe echoes.
I’ve lived here all my life.
No you haven’t! Do you really not remember?

I find a sheep with its head stuck in a wire fence.
It’s twisting around, slowly garotting itself.
I grab hold of it, keep it still with my legs,
prise the wires away from its neck.

Ask for nothing and nothing will be refused you.
I learned early there are shadows that will hide us.
The war criminal is respected for his decency.
He owns a small business, innocuous but lucrative.
A wholesale paper merchant, I heard.

When, in the night, you feel us spinning around the sun,
grip the soft ground with your toes, steady yourself against trees.

Sunlight on the wisps and strands of a silver birch after rain.
A man, thinner than he used to be, walks past with a briefcase.
His rain-coat is grubby.
What happened to his brothers?
They used to be called The Stalin Triplets.
They worked in a small office behind the college.
Didn’t they?

The north wind sweeps rain through the woods.
The high bare branches of ash and maple,
oak and apple, sway and clatter.
I cut away brambles, find two tractor tyres,
a harrow chain, cords of rotting poplar.
I light a bonfire. The smoke drifts south
as the first snow falls.

I can’t tell you not to walk on the frozen lake.
You won’t hear me.
Please be careful.

All that’s beneath.

I explore language but go nowhere.
They wanted rhymes after all?
Would understood forgot spot unicorn thunderstorm
divide side coats votes fate state disintegrate…
No, I can’t. You can do that yourself!

The tarantula nebula, it’s up there somewhere

Words wander about
on any freezing night

I worry about you

Of course I do

I know what’s beneath

Please don’t

Not because of you, I
Because of you, I
Not because of you, I
Because of you, I

Not because of you,
I

Not because
of you, I

A Prayer for my Daughter

A Prayer for my Daughter

Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.

May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.

Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-leggèd smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of Plenty is undone.

In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wise,
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy still.

And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.

From Michael Robartes and the Dancer (Cuala Press, 1921)

The Soldier

The Soldier

About The Soldier

"The Soldier" is a poem written by Rupert Brooke. It is the fifth and final sonnet in the sequence 1914, published posthumously in 1915 in the collection 1914 and Other Poems. The manuscript is located at King's College, Cambridge

The Soldier By Rupert Brooke
If I should die, think only this of me:
      That there’s some corner of a foreign field
That is for ever England. There shall be
      In that rich earth a richer dust concealed;
A dust whom England bore, shaped, made aware,
      Gave, once, her flowers to love, her ways to roam;
A body of England’s, breathing English air,
      Washed by the rivers, blest by suns of home.
And think, this heart, all evil shed away,
      A pulse in the eternal mind, no less
            Gives somewhere back the thoughts by England given;
Her sights and sounds; dreams happy as her day;
      And laughter, learnt of friends; and gentleness,
            In hearts at peace, under an English heaven.
In Flanders Fields

In Flanders Fields

In Flanders Fields

"In Flanders Fields" is a war poem in the form of a rondeau, written during the First World War by Canadian physician Lieutenant-Colonel John McCrae

In Flanders Fields By John McCrae
In Flanders fields the poppies blow
Between the crosses, row on row,
    That mark our place; and in the sky
    The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
    Loved and were loved, and now we lie,
        In Flanders fields.
Take up our quarrel with the foe:
To you from failing hands we throw
    The torch; be yours to hold it high.
    If ye break faith with us who die
We shall not sleep, though poppies grow
        In Flanders fields.

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