The Dark Ages by John Reade

The Dark Ages by John Reade

Dark Ages by John Reade

The years through which aught that hath life, O Sun,
Hath watched or felt thy rising, what are they
To those vast æons when, from night to day,
From dawn to dark, thy circuit thou didst run,
With none to greet thee or regret thee; none
To bless thy glowing harbinger of cloud,
Rose-tinted; none to sigh when, like a shroud,
The banner of Night proclaimed her victory won?
Yet, through that reign of seeming death, so long
To our imperfect ken, the marvellous force
Which means to ends adjusts in Nature’s plan
Was bringing to the birth that eye of man,
Which now, O Sun, surveys thy farthest course—
A speck amid the countless starry throng.

The poem reflects on the vast expanse of time through which the sun has existed and its role in the universe. Here’s a critical summary and analysis:

Summary:

The poem contemplates the immense epochs during which the sun has risen and set, stretching back to periods far beyond human existence. The speaker contrasts these vast aeons with the relatively brief span during which life on Earth, especially human life, has observed and felt the sun’s presence. The poem highlights the sun’s unacknowledged journeys through the cosmos before any beings existed to appreciate its light and warmth. Despite the long era of seeming emptiness, the natural processes were at work, leading to the emergence of humans who now have the capacity to observe and reflect upon the sun’s path.

Analysis:

Themes:

  1. Time and Eternity:
    • The poem delves into the concept of time, contrasting the brief span of human history with the incomprehensible length of cosmic time.
    • The “vast aeons” represent an almost eternal past when the sun existed without any observers.
  2. Existence and Observation:
    • There’s a significant focus on the existence of the sun before life, emphasizing the idea that the sun’s value and significance are not diminished by the lack of observers.
    • The emergence of human beings, who can now appreciate and contemplate the sun, is portrayed as a crucial development.
  3. Nature’s Plan and Evolution:
    • The poem suggests that nature has a plan, where everything from the sun’s existence to the development of human beings is part of a grand design.
    • The “marvellous force which means to ends adjusts in Nature’s plan” implies an inherent order and purpose in the natural world.

Structure and Form:

  • The poem is structured as a single, reflective stanza with a rhyme scheme that ties the lines together.
  • The use of enjambment helps to maintain the flow of thoughts and emphasizes the continuity of time and the seamless transition from one era to another.

Imagery and Symbolism:

  • The Sun: Symbolizes constancy and the passage of time. It also represents the source of life and enlightenment.
  • Night and Day: These opposing forces symbolize the cycle of existence, with the sun’s daily journey marking the rhythm of time.
  • The Birth of Human Sight: The “eye of man” symbolizes human consciousness and the ability to appreciate and reflect on the universe.

Tone and Mood:

  • The tone is contemplative and somewhat awe-inspiring, inviting the reader to ponder the vastness of time and the smallness of human existence in comparison.
  • The mood evokes a sense of wonder and humility, acknowledging both the insignificance and the significance of human life in the grand scheme of things.

Conclusion:

The poem elegantly explores the themes of time, existence, and the evolution of life, using the sun as a central metaphor. It reflects on the grandeur of the cosmos and the unique position of humans as conscious observers within it. The interplay between the eternal presence of the sun and the relatively fleeting existence of humanity provides a profound commentary on our place in the universe.

On Prayer – Kahlil Gibran

On Prayer – Kahlil Gibran

On Prayer by Kahlil Gibran

Kahlil Gibran

1883 – 1931

Then the priestess said, Speak to us of Prayer.
And he answered, saying:
You pray in your distress and in your need; would that you might pray also in the fullness of your joy and in your days of abundance.

For what is prayer but the expansion of yourself into the living ether?
And if it is for your comfort to pour your darkness into space, it is also for your delight to pour forth the dawning of your heart.
And if you cannot but weep when your soul summons you to prayer, she should spur you again and yet again, though weeping, until you shall come laughing.
When you pray you rise to meet in the air those who are praying at that very hour, and whom save in prayer you may not meet.
Therefore let your visit to that temple invisible be for naught but ecstasy and sweet communion.
For if you should enter the temple for no other purpose than asking you shall not receive:
And if you should enter into it to humble yourself you shall not be lifted:
Or even if you should enter into it to beg for the good of others you shall not be heard.
It is enough that you enter the temple invisible.

I cannot teach you how to pray in words.
God listens not to your words save when He Himself utters them through your lips.
And I cannot teach you the prayer of the seas and the forests and the mountains.
But you who are born of the mountains and the forests and the seas can find their prayer in your heart,
And if you but listen in the stillness of the night your shall hear them saying in silence,
“Our God, who are our winged self, it is thy will in us that willeth.
It is thy desire in us that desireth.
It is thy urge in us that would turn our nights, which are thine, into days which are thine also.
We cannot ask thee for aught, for thou knowest our needs before they are born in us:
Thou art our need; and in giving us more of thyself thou givest us all.”

June’s Coming by John Burroughs

June’s Coming by John Burroughs

Now have come the shining days
When field and wood are robed anew,
And o’er the world a silver haze
Mingles the emerald with the blue.

Summer now doth clothe the land
In garments free from spot or stain—
The lustrous leaves, the hills untanned,
The vivid meads, the glaucous grain.

The day looks new, a coin unworn,
Freshly stamped in heavenly mint;
The sky keeps on its look of morn;
Of age and death there is no hint.

How soft the landscape near and far!
A shining veil the trees infold;
The day remembers moon and star;
A silver lining hath its gold.

Again I see the clover bloom,
And wade in grasses lush and sweet;
Again has vanished all my gloom
With daisies smiling at my feet.

Again from out the garden hives
The exodus of frenzied bees;
The humming cyclone onward drives,
Or finds repose amid the trees.

At dawn the river seems a shade—
A liquid shadow deep as space;
But when the sun the mist has laid,
A diamond shower smites its face.

The season’s tide now nears its height,
And gives to earth an aspect new;
Now every shoal is hid from sight,
With current fresh as morning dew.