Aubade by Philip Larkin

Aubade by Philip Larkin

Aubade
I work all day, and get half-drunk at night.   
Waking at four to soundless dark, I stare.   
In time the curtain-edges will grow light.   
Till then I see what’s really always there:   
Unresting death, a whole day nearer now,   
Making all thought impossible but how   
And where and when I shall myself die.   
Arid interrogation: yet the dread
Of dying, and being dead,
Flashes afresh to hold and horrify.
The mind blanks at the glare. Not in remorse   
—The good not done, the love not given, time   
Torn off unused—nor wretchedly because   
An only life can take so long to climb
Clear of its wrong beginnings, and may never;   
But at the total emptiness for ever,
The sure extinction that we travel to
And shall be lost in always. Not to be here,   
Not to be anywhere,
And soon; nothing more terrible, nothing more true.
This is a special way of being afraid
No trick dispels. Religion used to try,
That vast moth-eaten musical brocade
Created to pretend we never die,
And specious stuff that says No rational being
Can fear a thing it will not feel, not seeing
That this is what we fear—no sight, no sound,   
No touch or taste or smell, nothing to think with,   
Nothing to love or link with,
The anaesthetic from which none come round.
And so it stays just on the edge of vision,   
A small unfocused blur, a standing chill   
That slows each impulse down to indecision.   
Most things may never happen: this one will,   
And realisation of it rages out
In furnace-fear when we are caught without   
People or drink. Courage is no good:
It means not scaring others. Being brave   
Lets no one off the grave.
Death is no different whined at than withstood.
Slowly light strengthens, and the room takes shape.   
It stands plain as a wardrobe, what we know,   
Have always known, know that we can’t escape,   
Yet can’t accept. One side will have to go.
Meanwhile telephones crouch, getting ready to ring   
In locked-up offices, and all the uncaring
Intricate rented world begins to rouse.
The sky is white as clay, with no sun.
Work has to be done.
Postmen like doctors go from house to house.
Character of the Happy Warrior

Character of the Happy Warrior

Character of the Happy Warrior
  Who is the happy Warrior? Who is he
That every man in arms should wish to be?
—It is the generous Spirit, who, when brought
Among the tasks of real life, hath wrought
Upon the plan that pleased his boyish thought:
Whose high endeavours are an inward light
That makes the path before him always bright;
Who, with a natural instinct to discern
What knowledge can perform, is diligent to learn;
Abides by this resolve, and stops not there,
But makes his moral being his prime care;
Who, doomed to go in company with Pain,
And Fear, and Bloodshed, miserable train!
Turns his necessity to glorious gain;
In face of these doth exercise a power
Which is our human nature’s highest dower:
Controls them and subdues, transmutes, bereaves
Of their bad influence, and their good receives:
By objects, which might force the soul to abate
Her feeling, rendered more compassionate;
Is placable—because occasions rise
So often that demand such sacrifice;
More skilful in self-knowledge, even more pure,
As tempted more; more able to endure,
As more exposed to suffering and distress;
Thence, also, more alive to tenderness.
—’Tis he whose law is reason; who depends
Upon that law as on the best of friends;
Whence, in a state where men are tempted still
To evil for a guard against worse ill,
And what in quality or act is best
Doth seldom on a right foundation rest,
He labours good on good to fix, and owes
To virtue every triumph that he knows:
—Who, if he rise to station of command,
Rises by open means; and there will stand
On honourable terms, or else retire,
And in himself possess his own desire;
Who comprehends his trust, and to the same
Keeps faithful with a singleness of aim;
And therefore does not stoop, nor lie in wait
For wealth, or honours, or for worldly state;
Whom they must follow; on whose head must fall,
Like showers of manna, if they come at all:
Whose powers shed round him in the common strife,
Or mild concerns of ordinary life,
A constant influence, a peculiar grace;
But who, if he be called upon to face
Some awful moment to which Heaven has joined
Great issues, good or bad for human kind,
Is happy as a Lover; and attired
With sudden brightness, like a Man inspired;
And, through the heat of conflict, keeps the law
In calmness made, and sees what he foresaw;
Or if an unexpected call succeed,
Come when it will, is equal to the need:
—He who, though thus endued as with a sense
And faculty for storm and turbulence,
Is yet a Soul whose master-bias leans
To homefelt pleasures and to gentle scenes;
Sweet images! which, wheresoe’er he be,
Are at his heart; and such fidelity
It is his darling passion to approve;
More brave for this, that he hath much to love:—
‘Tis, finally, the Man, who, lifted high,
Conspicuous object in a Nation’s eye,
Or left unthought-of in obscurity,—
Who, with a toward or untoward lot,
Prosperous or adverse, to his wish or not—
Plays, in the many games of life, that one
Where what he most doth value must be won:
Whom neither shape or danger can dismay,
Nor thought of tender happiness betray;
Who, not content that former worth stand fast,
Looks forward, persevering to the last,
From well to better, daily self-surpast:
Who, whether praise of him must walk the earth
For ever, and to noble deeds give birth,
Or he must fall, to sleep without his fame,
And leave a dead unprofitable name—
Finds comfort in himself and in his cause;
And, while the mortal mist is gathering, draws
His breath in confidence of Heaven’s applause:
This is the happy Warrior; this is he
That every man in arms should wish to be.
An Exequy by Peter Porter

An Exequy by Peter Porter

Peter Porter
1929-2010


“An Exequy”

 

 

In wet May, in the months of change,
In a country you wouldn’t visit, strange
Dreams pursue me in my sleep,
Black creatures of the upper deep –
Though you are five months dead, I see
You in guilt’s iconography,
Dear Wife, lost beast, beleaguered child,
The stranded monster with the mild
Appearance, whom small waves tease,
(Andromeda upon her knees
In orthodox deliverance)
And you alone of pure substance,
The unformed form of life, the earth
Which Piero’s brushes brought to birth
For all to greet as myth, a thing
Out of the box of imagining.

This introduction serves to sing
Your mortal death as Bishop King
Once hymned in tetrametric rhyme
His young wife, lost before her time;
Though he lived on for many years
His poem each day fed new tears
To that unreaching spot, her grave,
His lines a baroque architrave
The Sunday poor with bottled flowers
Would by-pass in their morning hours,
Esteeming ragged natural life
(‘Most dear loved, most gentle wife’),
Yet, looking back when at the gate
And seeing grief in formal state
Upon a sculpted angel group,
Were glad that men of god could stoop
To give the dead a public stance
And freeze them in their mortal dance.

The words and faces proper to
My misery are private – you
Would never share our heart with those
Whose only talent’s to suppose,
Nor from your final childish bed
Raise a remote confessing head –
The channels of our lives are blocked,
The hand is stopped upon the clock,
No one can say why hearts will break
And marriages are all opaque:
A map of loss, some posted cards,
The living house reduced to shards,
The abstract hell of memory,
The pointlessness of poetry –
These are the instances which tell
Of something which I know full well,
I owe a death to you – one day
The time will come for me to pay
When your slim shape from photographs
Stands at my door and gently asks
If I have any work to do
Or will I come to bed with you.
O scala enigmata,
I’ll climb up to that attic where
The curtain of your life was drawn
Some time between despair and dawn –
I’ll never know with what halt steps
You mounted to this plain eclipse
But each stair now will station me
A black responsibility
And point me to that shut-down room,
‘This be your due appointed tomb.’

I think of us in Italy:
Gin-and-chianti-fuelled, we
Move in a trance through Paradise,
Feeding at last our starving eyes,
Two people of the English blindness
Doing each masterpiece the kindness
Of discovering it – from Baldovinetti
To Venice’s most obscure jetty.
A true unfortunate traveller, I
Depend upon your nurse’s eye
To pick the altars where no Grinner
Puts us off our tourists’ dinner
And in hotels to bandy words
With Genevan girls and talking birds,
To wear your feet out following me
To night’s end and true amity,
And call my rational fear of flying
A paradigm of Holy Dying –
And, oh my love, I wish you were
Once more with me, at night somewhere
In narrow streets applauding wines,
The moon above the Apennines
As large as logic and the stars,
Most middle-aged of avatars,
As bright as when they shone for truth
Upon untried and avid youth.

The rooms and days we wandered through
Shrink in my mind to one – there you
Lie quite absorbed by peace – the calm
Which life could not provide is balm
In death. Unseen by me, you look
Past bed and stairs and half-read book
Eternally upon your home,
The end of pain, the left alone.
I have no friend, no intercessor,
No psychopomp or true confessor
But only you who know my heart
In every cramped and devious part –
Then take my hand and lead me out,
The sky is overcast by doubt,
The time has come, I listen for
Your words of comfort at the door,
O guide me through the shoals of fear –
‘Fürchte dich nicht, ich bin bei dir.’

(from The Cost of Seriousness, 1978)

Crusoe in England

Crusoe in England

Crusoe in England
A new volcano has erupted,
the papers say, and last week I was reading   
where some ship saw an island being born:   
at first a breath of steam, ten miles away;   
and then a black fleck—basalt, probably—
rose in the mate’s binoculars
and caught on the horizon like a fly.
They named it. But my poor old island’s still   
un-rediscovered, un-renamable.
None of the books has ever got it right.
Well, I had fifty-two
miserable, small volcanoes I could climb   
with a few slithery strides—
volcanoes dead as ash heaps.
I used to sit on the edge of the highest one   
and count the others standing up,
naked and leaden, with their heads blown off.   
I’d think that if they were the size   
I thought volcanoes should be, then I had   
become a giant;
and if I had become a giant,
I couldn’t bear to think what size   
the goats and turtles were,
or the gulls, or the overlapping rollers   
—a glittering hexagon of rollers   
closing and closing in, but never quite,   
glittering and glittering, though the sky   
was mostly overcast.
My island seemed to be
a sort of cloud-dump. All the hemisphere’s   
left-over clouds arrived and hung
above the craters—their parched throats   
were hot to touch.
Was that why it rained so much?
And why sometimes the whole place hissed?   
The turtles lumbered by, high-domed,   
hissing like teakettles.
(And I’d have given years, or taken a few,   
for any sort of kettle, of course.)
The folds of lava, running out to sea,
would hiss. I’d turn. And then they’d prove   
to be more turtles.
The beaches were all lava, variegated,   
black, red, and white, and gray;
the marbled colors made a fine display.   
And I had waterspouts. Oh,
half a dozen at a time, far out,
they’d come and go, advancing and retreating,   
their heads in cloud, their feet in moving patches   
of scuffed-up white.
Glass chimneys, flexible, attenuated,   
sacerdotal beings of glass … I watched   
the water spiral up in them like smoke.   
Beautiful, yes, but not much company.
I often gave way to self-pity.
“Do I deserve this? I suppose I must.
I wouldn’t be here otherwise. Was there   
a moment when I actually chose this?
I don’t remember, but there could have been.”   
What’s wrong about self-pity, anyway?
With my legs dangling down familiarly   
over a crater’s edge, I told myself
“Pity should begin at home.” So the more   
pity I felt, the more I felt at home.
The sun set in the sea; the same odd sun   
rose from the sea,
and there was one of it and one of me.   
The island had one kind of everything:   
one tree snail, a bright violet-blue
with a thin shell, crept over everything,   
over the one variety of tree,
a sooty, scrub affair.
Snail shells lay under these in drifts   
and, at a distance,
you’d swear that they were beds of irises.   
There was one kind of berry, a dark red.   
I tried it, one by one, and hours apart.   
Sub-acid, and not bad, no ill effects;   
and so I made home-brew. I’d drink   
the awful, fizzy, stinging stuff
that went straight to my head
and play my home-made flute
(I think it had the weirdest scale on earth)   
and, dizzy, whoop and dance among the goats.   
Home-made, home-made! But aren’t we all?   
I felt a deep affection for
the smallest of my island industries.   
No, not exactly, since the smallest was   
a miserable philosophy.
Because I didn’t know enough.
Why didn’t I know enough of something?   
Greek drama or astronomy? The books   
I’d read were full of blanks;
the poems—well, I tried
reciting to my iris-beds,
“They flash upon that inward eye,
which is the bliss …” The bliss of what?   
One of the first things that I did
when I got back was look it up.
The island smelled of goat and guano.   
The goats were white, so were the gulls,   
and both too tame, or else they thought   
I was a goat, too, or a gull.
Baa, baa, baa and shriek, shriek, shriek,
baa … shriek … baa  I still can’t shake   
them from my ears; they’re hurting now.
The questioning shrieks, the equivocal replies   
over a ground of hissing rain
and hissing, ambulating turtles
got on my nerves.
When all the gulls flew up at once, they sounded
like a big tree in a strong wind, its leaves.   
I’d shut my eyes and think about a tree,   
an oak, say, with real shade, somewhere.   
I’d heard of cattle getting island-sick.   
I thought the goats were.
One billy-goat would stand on the volcano
I’d christened Mont d’Espoir or Mount Despair
(I’d time enough to play with names),   
and bleat and bleat, and sniff the air.   
I’d grab his beard and look at him.   
His pupils, horizontal, narrowed up
and expressed nothing, or a little malice.   
I got so tired of the very colors!   
One day I dyed a baby goat bright red   
with my red berries, just to see   
something a little different.
And then his mother wouldn’t recognize him.
Dreams were the worst. Of course I dreamed of food
and love, but they were pleasant rather
than otherwise. But then I’d dream of things   
like slitting a baby’s throat, mistaking it   
for a baby goat. I’d have
nightmares of other islands
stretching away from mine, infinities   
of islands, islands spawning islands,   
like frogs’ eggs turning into polliwogs   
of islands, knowing that I had to live   
on each and every one, eventually,   
for ages, registering their flora,   
their fauna, their geography.
Just when I thought I couldn’t stand it   
another minute longer, Friday came.   
(Accounts of that have everything all wrong.)   
Friday was nice.
Friday was nice, and we were friends.   
If only he had been a woman!
I wanted to propagate my kind,   
and so did he, I think, poor boy.
He’d pet the baby goats sometimes,
and race with them, or carry one around.   
—Pretty to watch; he had a pretty body.
And then one day they came and took us off.
Now I live here, another island,
that doesn’t seem like one, but who decides?
My blood was full of them; my brain   
bred islands. But that archipelago
has petered out. I’m old.
I’m bored, too, drinking my real tea,   
surrounded by uninteresting lumber.
The knife there on the shelf—
it reeked of meaning, like a crucifix.
It lived. How many years did I   
beg it, implore it, not to break?
I knew each nick and scratch by heart,
the bluish blade, the broken tip,
the lines of wood-grain on the handle …
Now it won’t look at me at all.   
The living soul has dribbled away.   
My eyes rest on it and pass on.
The local museum’s asked me to
leave everything to them:
the flute, the knife, the shrivelled shoes,
my shedding goatskin trousers
(moths have got in the fur),
the parasol that took me such a time   
remembering the way the ribs should go.
It still will work but, folded up,
looks like a plucked and skinny fowl.
How can anyone want such things?
—And Friday, my dear Friday, died of measles
seventeen years ago come March.
I felt a Funeral, in my Brain

I felt a Funeral, in my Brain

I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading – treading – till it seemed
That Sense was breaking through –
And when they all were seated,
A Service, like a Drum –
Kept beating – beating – till I thought
My mind was going numb –
And then I heard them lift a Box
And creak across my Soul
With those same Boots of Lead, again,
Then Space – began to toll,
As all the Heavens were a Bell,
And Being, but an Ear,
And I, and Silence, some strange Race,
Wrecked, solitary, here –
And then a Plank in Reason, broke,
And I dropped down, and down –
And hit a World, at every plunge,
And Finished knowing – then –
The Brain — is wider than the Sky

The Brain — is wider than the Sky

The Brain — is wider than the Sky —
For — put them side by side —
The one the other will contain
With ease — and You — beside —

The Brain is deeper than the sea —
For — hold them — Blue to Blue —
The one the other will absorb —
As Sponges — Buckets — do —

The Brain is just the weight of God —
For — Heft them — Pound for Pound —
And they will differ — if they do —
As Syllable from Sound —